《黄灯》是先锋影像及多媒体艺术家汪建伟在UCCA举办的第一个个展。黄色交通信号灯既是一个信号，也是一种征兆，是介于红灯和绿灯、禁止与允许之间的合法中间状态。特别为UCCA大展厅打造的展览《黄灯》，是一个持续发展的项目，一场进行中的叙述，将以四个连贯且独立的章节在展览进行中逐一揭开帷幕。

《黄灯》的四个章节包括：以八台投影仪同时多角度投放所建立的视觉现场；由相互连接的篮球网和上千篮球组成的互动装置；一系列综合材料构成的动力循环系统；以及建造一个“不可到达的场所”的装置。展览的最后将以一个由视频、影像、灯光和音乐打造的剧场表演完美谢幕。汪建伟还计划首次将互联网运用介入到他已然多元的艺术实践中，利用这种独特、共享的平台来挑战展览的时限、定义和空间，并展现他艺术实践的过程、思考、修改甚至失误。

《黄灯》是一张公开的邀请函，以视觉影像、现场表演和互动装置邀请观众一次又一次来到UCCA，体验展览的每一个章节并成为这场持续表演过程中的一员。

In Yellow Signal, the first UCCA solo show by pioneering video and multimedia artist Wang Jianwei, the yellow traffic light is both signal and signifier, a physical expression of the legal limbo between red and green, prohibition and permission. Designed specifically for UCCA’s Big Hall exhibition space, Yellow Signal is a work in constant progress, an ongoing narrative in the form of four consecutive “chapters” that will be unveiled at regular intervals over the course of the exhibition.

The four chapters are as follows: a video installation on eight large projection screens; an interactive exhibit of several thousand basketballs and linked basketball “hoops” snaking throughout the entire hall; a series of dynamic mixed-media installations; and a representation of a “physically inaccessible space.” Yellow Signal will culminate in a final live performance with video, images, lighting and sound. For the first time, Wang Jianwei plans to incorporate the Internet into his already diverse artistic practice; harnessing that uniquely egalitarian medium to expand the spatial, temporal and conceptual scope of the exhibition and reveal his own artistic process, considerations, modifications and missteps.

With visual theatre, live performances and playfully interactive exhibits, Yellow Signal is an open invitation for audiences to return, again and again, to experience each chapter as it unfolds and become part of an evolving process.