当代艺术与“社群”意识
Contemporary Art and Community Awareness
798双年展将是最具独立精神的一次双年展
The 798 Biennale Is to Become the Most Independently-minded Biennale

特别报道 Special Reports

独立影像中的底层社会
The Underprivileged in Independent Films
从《秉爱》《伞》看社会变迁中的个体生存
Seeking the Presence of Individuality from “Bing'ai” and “The Umbrella”
第三届北京独立电影论坛散记
Note on the “Third Beijing Independent Film Forum”
《血蝉》观后感
Afterthoughts on the "Little Moth"
高中那点事──小调式《街口》
Those Matters from High School—an Impression on "The Street"
《二冬》导演自述
"Er Dong"—A Director's Commentary
马下──耿军《青年》
Delayed—Geng Jun’s "Youth"
《青年》导演自述
"Youth" —A Director’s Commentary

谁的《草芥》？
Whose "Weed"?
没关系——关于《盒饭》
Never Mind—About "Take-Out"
远去的背影：《三峡大移民》
The Receding Shadow:  "The Immigration of the Three Gorges"
独立纪录片的道路 The Way of the Independent Documentary

封面人物 Cover

形象之灵：于凡雕塑中的人及其形式
The Spirited Form: The Figures and Their Styles in Yu Fan’s Work
要像上帝那样创造 ──于凡笔记
To Create Like God —A Note by Yu Fan
佛法易得，魔境难入──朱其+于凡
The Way of the Buddha Can Be Easily Attained, But the Demon’s Realm is Difficult to Enter—Zhu Qi + Yu Fan
人民需要的不是面包
What the People Need is Not Bread

封面话题 Features

当代艺术的合法化“质疑”
The “Suspicion” Behind the Legalization of Chinese Contemporary Art
除了既得利益，当代艺术还剩下什么？
Aside from the Vested Interest, What is Left in Chinese Contemporary Art?
除了“和稀泥”，当代艺术的“合法化”没有实质意义   Aside from Being a Mound of “Mixed Mud,” the “Legalizing” of Chinese Contemporary Art Does Not Hold Any Ground
拒绝官方主义是中国当代艺术唯一的出路
Rejecting the Official Doctrine is Chinese Contemporary Art's Only Way Out
资本在中国就是“官商合流”
In China, Capital Equals “the Collusion of the Officials and the Merchants”

国际艺术 Art International

论当代艺术的当代问题
In Discussing the Contemporary Problem of Contemporary Art
专访哈尔·福斯特
An Interview with Hal Foster
“当代艺术”？──轻松的存在状态
“Contemporary Art”?—the Apparent Lightness of Being
暗夜，矛盾冲突：二律背反的时代
Dark Nights, Antinomic Frictions: The Contemporary Art Question
拉斐尔·洛萨诺·汉默：与何塞·路易斯·巴里奥斯的对话
Rafael Lozano-Hemmer—A conversation with José Luis Barrios

水墨研究 The Study of Shuimo

文人画家赵正能的水墨世界
Literati Painter Zhao Zhengneng’s world of Shuimo
姬子的绘画：飞腾的世界
Arthur Danto—Viewing Ji Zi’s work

艺坛聚焦  Art Focus

艺术新经济
Art Economies Beyond Pattern Recognition
第六届中国纪录片交流周
The "6th China Documentary Film Festival"
燕京八景（2008/2009）──王川个人作品展
8 Great Sites of Beijing (2008/2009)—Wang Chuan Solo Exhibition
北京肖像──安娜伊思·马田个人作品展
Beijing Portraits—Anais Martane Solo Exhibition
空瓶子──瓦斯科·兰德格仁作品展
Empty Bottles—WassinkLundgren Solo Exhibition
2009广州国际摄影双年展外围展
Periphery Exhibition of Guangzhou Photo Biennial 2009
青岛首届春潮当代雕塑艺术节
The First Chunchao Contemporary Sculpture Art Festival in Qingdao

艺术家 Artist
 
能量的联系──米卡·罗特恩伯格访谈
The Energetic Connection—An interview with Mika Rottenberg

新锐视角 New Perspective

谁来“定义”中国当代艺术
Who “Defines” Chinese Contemporary Art?

俞心樵专题 A Special Report on Yu Xinqiao

最根本的问题和最重要的艺术
The Most Basic Problem and the Most Important Art
俞心焦的《墓志铭》：铭写我余存的祖国
“The Epitaph” of Yu Xinjiao: Inscribing the Remainder of My Motherland
今生今世：到处都是海（节选  02）
This Lifetime: The Sea is Everywhere (Excerpt 02)

图书介绍  Books

展览资讯  Exhibitions